Scarlet Production Company
My work for this show was primarily seen in the first two episodes:
Destiny's Hair - what's a girl to do!?
I created a polygon Hair Cap for Destiny Angel to be used in Piloting scenes to increase render efficiency for those specific shots. I also provided solutions for rendering of sasquatch hair behind the transparent pilot helmets - anyone who knows SAS can vouch for this problem.
I created and prepared the animation for the scene where Scarlet drives from the hidden barnyard entrance in the countryside after his Skybase escape. I created the entire countryside set for the opening episode where Scarlet is chased after his escape from Skybase - and finally I created the snow background terrain and scene props for the episode where The Large Condor aircraft lands in Russia.
THE BARN SEQUENCE
The Barn Sequence - Scarlet flies out of the barn which is in reality a hidden entrance to a secure garage for a SPV. 80% of the elements were modelled and textured by myself - Including the entire countryside surrounding terrain.
This shot was also animated by myself and tweaked by the in house animators prior to rendering at the studio. The Car - Scarlet - the barn and the farmhouse were the only provided objects. By the way I made a heck of a lot of trees for this episode - and roads and telegraph poles not to mention cows and sheep!!
- and finally I created the snow background terrain and scene props for the episode where The Large Condor aircraft lands in Russia.
Note: I was later asked to remodel several of the main recurring meshes - but as a second series never materialised that project never panned out in the end -
but it's worth a mention! 